Ελληνική ιστορία και προϊστορία

Ελληνική ιστορία και προϊστορία
Ελληνική ιστορία και προϊστορία

Σάββατο 18 Ιουλίου 2015

Hesiods Theogony: The creation of all the Gods

Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the Cosmos. It is the first Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. In many cultures, narratives about the origin of the Cosmos and about the gods that shaped it are a way for society to reaffirm its native cultural traditions. Specifically, theogonies tend to affirm kingship as the natural embodiment of society. What makes the Theogony of Hesiod unique is that it affirms no historical royal line. Such a gesture would have sited the Theogony in one time and one place. Rather, the Theogony affirms the kingship of the god Zeus himself over all the other gods and over the whole Cosmos. Further, in the "Kings and Singers" passage (80 - 103). Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of ascepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony. Although it is often used as a sourcebook for Greek mythology, the Theogony is both more and less than that. In formal terms it is a hymn invoking Zeus and the Muses: parallel passages between it and the much shorter Homeric Hymn to the Muses make it clear that the Theogonydeveloped out of a tradition of hymnic preludes with which an ancient Greek rhapsode would begin his performance at poetic competitions. It is necessary to see the Theogony not as the definitive source of Greek mythology, but rather as a snapshot of a dynamic tradition that happened to crystallize when Hesiod formulated the myths he knew—and to remember that the traditions have continued evolving since that time. The written form of the Theogony was established in the sixth century. Even some conservative editors have concluded that the Typhon episode (820–68) is an interpolation. Hesiod was probably influenced by some Near-Eastern traditions, such as the Babylonian Dynasty of Dunnum, which were mixed with local traditions, but they are more likely to be lingering traces from the Mycenaean tradition than the result of oriental contacts in Hesiod's own time. The decipherment of Hittite mythical texts, notably the Kingship in Heaven text first presented in 1946, with its castration mytheme, offers in the figure of Kumarbi an Anatolian parallel to Hesiod's Uranus-Cronus conflict. After the speaker declares that he has received the blessings of the Muses and thanks them for giving him inspiration, he explains that Chaos arose spontaneously. Then came Gaia (Earth), the more orderly and safe foundation that would serve as a home for the gods and mortals, andTartarus, in the depths of the Earth, and Eros, the fairest among the deathless gods. Eros serves an important role in sexual reproduction, before which children had to be produced asexually. From Chaos came Erebus (place of darkness between the earth and the underworld) and Nyx(Night). Erebus and Nyx reproduced to make Aether (Light) and  Hemera (Day). Aether and Hemera gave birth to Gaia, and from Gaia came Uranus (Sky), the Ourea (Mountains), and Pontus(Sea). Uranus mated with Gaia to create twelve Titans: Oceanus, Coeus, Crius, Hyperion, Iapetos, Theia, Rhea,  Themis, Mnemosyne, Phoebe, Tethys and Cronus; three cyclopes: Brontes, Steropes and Arges; and three Hecatonchires: Kottos, Briareos, and Gyges. Uranus was disgusted with his children, the Hecatonchires, so he hid them away somewhere in Gaia. Angered by this, Gaia asked her children the Titans to punish their father. Only Cronus was willing to do so. Cronus castrated his father with a sickle from Gaia. The blood from Uranus splattered onto the earth producing Erinyes (the Furies), Giants, and Meliai. Cronus threw the severed testicles into the Sea (Thalassa), around which foam developed and transformed into the goddess of Love, Aphrodite (which is why in some myths, Aphrodite was daughter of Uranus and the goddess Thalassa). Meanwhile, Nyx alone produced children parthenogenetically: Moros (Doom), Oneiroi (Dreams), Ker and the Keres  (Destinies), Eris (Discord), Momos (Blame), Philotes (Love), Geras (Old Age), Thanatos (Death), Moirai  (Fates), Nemesis(Retribution), Hesperides (Daughters of Night), Hypnos (Sleep), Oizys (Hardship), and Apate (Deceit). From Eris, following in her mother's footsteps, came Ponos (Pain),  Hysmine (Battles), the Neikea (Quarrels), the Phonoi (Murders), Lethe (Oblivion),  Makhai  (Fight), Pseudologos (Lies), Amphilogia (Disputes), Limos  (Famine), Androktasia(Manslaughters), Ate (Ruin), Dysnomia (Anarchy and Disobedient  Lawlessness), the Algea (Illness), Horkos (Oaths), and Logoi (Stories). After Uranus's castration, Gaia married Pontus and they have a descendent line consisting of sea deities, sea nymphs, and hybrid monsters. One child of Gaia and Pontus is Nereus (Old Man of the Sea), who marries Doris, a daughter of Oceanus and Tethys, and has Nereids, the fifty nymphs of the sea, one of whom is Thetis. Another child of Gaia and Pontus is Thaumas, who marries Electra, a sister of Doris, and has Iris (Rainbow) and two Harpies. Phorcys and Ceto, two siblings, marry each other and have the Graiae, the Gorgons, Echidna, andOphion. Medusa, one of the Gorgons, has two children with Poseidon: the winged horse Pegasus and giant Chrysaor, at the instant of her decapitation by Perseus. Chrysaor marries Callirhoe, another daughter of Oceanus, and has the three-headed Geryon. Gaia also marries Tartarus and has Typhon, whom Echidna marries and has Orthos,  Kerberos, Hydra,  and Chimera. From Orthos and either Chimera or Echidna were born the Sphinx and the Nemean  Lion. In the family of the Titans, Oceanus and Tethys marry and have three thousand rivers (including the Nile and Skamandar) and three thousand Okeanid Nymphs (including  Electra,  Calypso, andStyx). Theia and Hyperion marry and have  Helios (Sun),  Selene  (Moon), and  Eos (Dawn). Kreios and Eurybia marry to bear Astraios, Pallas, and Perses. Eos and Astraios will later marry and have Zephyrus ,Boreas, Notos, Eosphoros, Hesperos, Phosphoros and the Stars (foremost of which are Phaenon, Phaethon, Pyroeis, Stilbon, those of the Zodiac and those three acknowledged before). From Pallas and Styx (another Okeanid) came  Zelus  (Zeal),  Nike  (Victory), Cratos  (Strength), andBia (Force). Koios and Phoibe marry and have Leto, Asteria (who later marries Perses and hasHekate). Iapetos marries Klymene (an Okeanid Nymph) and had Atlas, Menoetius, Prometheus, and Epimetheus.Cronus, having taken  control of the Cosmos, wanted to ensure that he maintained power. Uranusand Gaia prophesied to him that one of his children would overthrow him, so when he married Rhea, he made sure to swallow each of the children she birthed:  Hestia,  Demeter,  Hera, Hades,Poseidon, Zeus (in that order). However, Rhea asked Gaia and Uranus for help in saving Zeus by sending Rhea to Crete to bear Zeus and giving Cronus a huge stone to swallow thinking that it was another of Rhea's children. Gaia then took Zeus and hid him deep in a cave beneath the Aegean Mountains. Tricked by Gaia (the Theogony does not detail how), Cronus regurgitated his other five children.Joining with Zeus, they waged a great war on the Titans for control of the Cosmos. The war lasted ten years, with the Olympian gods, Cyclopes, Prometheus and Epimetheus, the children of Klymene, on one side, and the Titans and the Giants on the other (with only Oceanos as a neutral force). Eventually Zeus released the Hundred-Handed ones to shake the earth, allowing him to gain the upper hand, and cast the fury of his thunderbolts at the Titans, throwing them into Tartarus. Zeus later battled Typhon, a son of Gaia and Tartarus, created because Gaia was angry that the Titans were defeated, and was victorious again. Because Prometheus helped Zeus, he was not sent to Tartarus like the other Titans. However, Prometheus sought to trick Zeus. Slaughtering a cow, he took the valuable fat and meat, and sewed it inside the cow's stomach. Prometheus then took the bones and hid them with a thin layer of fat. Prometheus asked Zeus' opinion on which offering pile he found more desirable, hoping to trick the god into selecting the less desirable portion. However, Hesiod relates that Zeus saw through the trick and responded in a fury. Zeus declared that the ash tree would never hold fire, in effect denying the benefit of fire to man. In response, Prometheus sneaked into the gods' chambers and stole a glowing ember with a piece of reed. Prometheus then defies the gods and gives fire to humanity (theft of fire).
Πηγη: https://en.m.wikipedia.org/wiki/Theogony

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